THE GRAND
DOMESTIC REVOLUTION

THE GRAND
DOMESTIC REVOLUTION

USER'S MANUAL

USER'S MANUAL

‘The Grand Domestic Revolution—User’s Manual’ (GDR) investigates the domestic space and its (changing) use through a variety of methods and disciplines, traversing the fields of art, design, architecture, urban planning, activism and theory. A number of artists and other practitioners contribute to this endeavour. Residents from 2009-2011 include Sepake Angiama, Paul Elliman, and Doris Denekamp who utilized neighbourhood and online research to create prototypes and interventions around the theme of (Green) Cooperativsm. Wietske Maas and Travis Meinolf experimented with Home Production; while 'interor' infrastuctural interventions for the furniture, library and hallways were created by ifau & Jesko Fezer, Mirjam Thomann and Graziela Kunsch. Current themes and residents from February–October 2011 include Kyohei Sakaguchi and Kateřina Šedá who will each investigate forms of usership in architectures; home and housing rights with Maria Pask and Nazima Kadir; the question of invisible and domestic labour taken up by Werker Magazine; Agency will continue its deliberations on copyright issues of domestic THINGS (gardens and textiles); and keywords in relations to food service work will be workshopped with Xu Tan. Parallel to this, the Read-in activity continues. Initiated by artist Annette Krauss and theatre maker, Read-in is an open reading group inhabiting a different neighbour’s home for every session.

LIBRARY

LIBRARY

The GDR library constitutes the backbone of our ongoing ‘living research’ and thus grows over time. The library offers points of engagement with the project and consists of different research materials such as books, articles, images and DVDs (artist’s video, films) that are available for viewing when visiting the apartment. The first installment was done by the GDR team and was later adapted by Sao Paulo-based artist Graziela Kunsch who suggested that the GDR team create thematic selections.

APARTMENT 18B

APARTMENT 18B

'The Grand Domestic Revolution-User's Manual' is a long-term project developed as Casco’s contribution to 'Utrecht Manifest: Biennial for Social Design'. The project deals with the evolutionary and collaborative process of “living” research in the contemporary domestic and private sphere – particularly in relation to the spatial imagining (or the built environment). It aims at re-articulating while exercising the notions of the social, the public and, eventually, the commons.

TOWN MEETINGS

IN AFFINITY

IN AFFINITY

Since August 2010, the GDR team have undertaken research in order to connect with the local neighbourhood on questions relating to peoples’ social conditions and material environments. Questionnaires, interviews, and conversations are the methods used to explore the themes and problems addressed in GDR, such as self-organised governance, co-operative living, and spatial organisation in and from the domestic sphere.

HOW DO WE WORK TOGETHER? (it’s not a rhetorical question)

TOWN MEETING MARCH
Saturday 26 March 2011 12.00-16.00h
GDR apartment, Bemuurde Weerd o.z.18b. With Matthijs de Bruijne, Phil Collins, Josien Pieterse, FNV Domestic Work campaigners and more

Still from Phil Collins, 'marxism today (prologue)' 2010


This month's TOWN MEETING starts with this concrete question, as a continuation of the last meeting on ways to critically engage with domestic and invisible labour. We ended it with a proposal to construct some kind of “artist working group” within a labour movement, but this immediately posed questions about artistic autonomy, the singularity of language and its attendant conflicts and more concretely, what aspect of the campaign will we work on? These questions will work in parallel with the urgent discussion on the rights for migrant domestic workers, looking into its implications within wider working and living conditions.

Presentations for the MARCH TOWN MEETING include artist Matthijs de Bruijne, graphic design studio Take A Detour, and film screening by visiting artist Phil Collins and filmmaker Josien Pieterse. Our guests, along with members of the FNV domestic worker's campaign and other interested actors, will expand on the ways artistic strategies of representation and can work in affinity with specific social movements.

AGENDA MARCH

  • Introductions, recap of February Town Meeting, and goal-setting
  • Presentation by Matthijs de Bruijne and Take a Detour on their collaboration for the project het afvalmuseum (trash museum) for the FNV Schoonmaker's anniversary of their strike at Utrecht Central Station
  • Screening of excerpt of 'marxism today (prologue)' by Phil Collins
  • Screening of by excerpt of 'The Years of the Truth' (De Jaren van de Waarheid) by Josien Pieterse
  • Question 1: What are potential artistic autonomies found in working “with” movements?
  • Question 2: What does the focus on domestic labour rights exclude and include in the debate and how does artist rights differ and connect, more specifically to labour rights?
  • Question 3: What artistic forms of representation of social movements are practiced, and can be imagined by artists and designers—can this point to new forms of contributions to political campaign?
  • Question 4: How will we work together?

The event is free and anyone is welcome to join!
RSVP is appreciated (email us at gdr@cascoprojects.org), but not required.

Links:
Review of 'marxism today (prologue)' in the guardian
Brochure download of FNV Bondegenoten Domestic Worker Rights


APRIL TOWN MEETING

30 APRIL 2011
Queen's Day! Participants of the meeting will join the street with ‘18B radio talk show’.


To receive more information about this and future TOWN MEETINGs, please email us at gdr@cascoprojects.org.


NOTES

Wormery

If you don’t have enough space for a proper compost heap, you can build your own Wormery or Vermicomposting system. For the Casco balcony I use two mayonnaise buckets which I collected at the local cafetaria. Look for two buckets who can sit into each other in such a way that the lower bucket forms a reservoir.

Drill holes in the bottom of the upper bucket. In this way the liquid which forms 80-90% of our kitchen waste can escape. This leachate will collect in the lower bucket. You can use the leachate to fertilize your plants if you water it down ten times.

Drill some holes in the upper part of the bucket as well for ventilation.



Now connect a tap to the wall of the lower bucket. This is used to tap the leachate. I found a perfect tap at the local hardware store. It is called ‘garden hose connector tap’:



Cut a hole in the lower part of the buckets side. Due to the rubber rings the tap will close water tight.



The structure is ready. Now cover the bottom of the upper bucket with pieces of cardboard, small branches, torn newspaper or hay. This layer has to be 5 centimeters thick and very loose. Sprinkle this layer with water until it is 70% wet.

On top of this layer you put a layer of compost with worms. You need the ‘tiger worms’, worms that live in compost heaps. I will try to bring them tomorrow from my own compost heap in Rotterdam. You will need a few hundreds of them, but I trust my worm family will take care of that themselves.

Leave the Wormery for one week in order to give the worms time to settle themselves in their new home. After one week you can start with adding some kitchen waste. Don’t put large quantities and not too much of the same thing. Worms like diversity. The eat coffee, teabags, peals.. They don’t like bread, meat, fish and citrus peels.

Empty the leachate reservoir regularly. To harvest the worm compost, you have to remove the upper layer of fresh kitchen waste. Then remove the compost layer where the worms are in, and keep this apart. On the bottom of the bucket will be a layer of dark crumbly worm compost. Distribute it to your plants or store it in a spare bucket for later use. To start the process again, add a new bottom layer of cardboard an put the worms back in.

Put the bucket on a place protected from the sun and free from frost. I will keep the Wormery for now in the storage room. The Wormery will not smell unless it is too wet, than add some dry material like sawdust. Take care the compost doesn’t get too dry, because the worms will die.


15 December 2010, 13.57 — posted by Doris


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