THE GRAND
DOMESTIC REVOLUTION

THE GRAND
DOMESTIC REVOLUTION

USER'S MANUAL

‘The Grand Domestic Revolution—User’s Manual’ (GDR) investigates the domestic space and its (changing) use through a variety of methods and disciplines, traversing the fields of art, design, architecture, urban planning, activism and theory. A number of artists and other practitioners contribute to this endeavour. Residents from 2009-2011 include Sepake Angiama, Paul Elliman, and Doris Denekamp who utilized neighbourhood and online research to create prototypes and interventions around the theme of (Green) Cooperativsm. Wietske Maas and Travis Meinolf experimented with Home Production; while 'interor' infrastuctural interventions for the furniture, library and hallways were created by ifau & Jesko Fezer, Mirjam Thomann and Graziela Kunsch. Current themes and residents from February–October 2011 include Kyohei Sakaguchi and Kateřina Šedá who will each investigate forms of usership in architectures; home and housing rights with Maria Pask and Nazima Kadir; the question of invisible and domestic labour taken up by Werker Magazine; Agency will continue its deliberations on copyright issues of domestic THINGS (gardens and textiles); and keywords in relations to food service work will be workshopped with Xu Tan. Parallel to this, the Read-in activity continues. Initiated by artist Annette Krauss and theatre maker, Read-in is an open reading group inhabiting a different neighbour’s home for every session.

LIBRARY

LIBRARY

The GDR library constitutes the backbone of our ongoing ‘living research’ and thus grows over time. The library offers points of engagement with the project and consists of different research materials such as books, articles, images and DVDs (artist’s video, films) that are available for viewing when visiting the apartment. The first installment was done by the GDR team and was later adapted by Sao Paulo-based artist Graziela Kunsch who suggested that the GDR team create thematic selections.

APARTMENT 18B

APARTMENT 18B

'The Grand Domestic Revolution-User's Manual' is a long-term project developed as Casco’s contribution to 'Utrecht Manifest: Biennial for Social Design'. The project deals with the evolutionary and collaborative process of “living” research in the contemporary domestic and private sphere – particularly in relation to the spatial imagining (or the built environment). It aims at re-articulating while exercising the notions of the social, the public and, eventually, the commons.

TOWN MEETINGS

TOWN MEETINGS

IN AFFINITY

IN AFFINITY

Since August 2010, the GDR team have undertaken research in order to connect with the local neighbourhood on questions relating to peoples’ social conditions and material environments. Questionnaires, interviews, and conversations are the methods used to explore the themes and problems addressed in GDR, such as self-organised governance, co-operative living, and spatial organisation in and from the domestic sphere.

CENTRE FOR COOPERATIVE LIVING

London-based educator Sepake Angiama set up the Centre for Cooperative Living (since March 2010) within the GDR apartment and asked: what can you achieve by getting to know your neighbour? The neighbourhood research explores the possibilities of claiming the non-functional space that exists between buildings as a communal place. In this light, a ‘public’ garden with a special rotating garden system was devised by London-based architect Sam Causer for the GDR balcony and continues to grow and expand through knowledge and material exchange between the local and international guests. Rotterdam-based artist and Dutch Art Institute student Doris Denekamp proposes, for example, to collectivise and reclaim the grey and unused roof tops visible from the balcony and thus expand the garden into the neighbourhood.

The Centre for Cooperative Living was expanded with Doris Denekamp and Arend Groosman's MEAL MACHINE and Paul Elliman's project We were here balcony extensions, which were inaugurated at GDR's January TOWN MEETING.

NOTES

Dymaxion Sleep

Dymaxion Sleep


Dymaxion Sleep is a structure of nets suspended over a field of aromatic plants. Rather than walking through the garden, visitors lie on top of it, translating the typically solitary experience of a garden into a public event. The structure that holds the nets is an unfolded icosahedron, formed of twenty steel triangles. Each triangle is large enough to support a single outstretched body, an intertwined pair, or a pileup of people. The structure is anchored to a timber footing which traces the diagram of the icosahedron on the soil. Mints, lemon geranium, lavender and fennel are planted below, mimicking the structure's topography and defining scented territories in which to relax.


The form of each layer of this double surface, planting and nets, is based on Buckminster Fuller’s Dymaxion World Map. If Fuller's Map reconfigured standard political representations of the world by refusing to define a fixed orientation, Dymaxion Sleep sets up a surface on which to lounge in undefined ways. Dymaxion Sleep takes its name from the title of a 1943 Time magazine article which describes Fuller’s regimen of polyphasic sleep - thirty minutes asleep, followed by six waking hours - a reconfiguration he used to dynamically maximize his body’s productivity. Our Dymaxion Sleep subverts Fuller’s focus on efficiency and work and instead maximizes the garden as a space for pleasure and dreams.

Collaborator
Walter Blackwell
Architect: Jane Hutton & Adrian Blackwell
Years of exhibition: 2009, 2010, 2011


1 June 2011, 11.59 — posted by Casco


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